‍you weren't there when i was stretched
 out underneath you. 
as the same for you, grown old
and wrinkled, denatured, deformed. 
all veiny eyes and eyelids that hold 
memories of a happy land which is 
no longer happy. 
i was born wilting and wizened, tired. 
the offspring of immigrants of immigrants, 
a child not of their home land. 
a child of changing states, of commute. 
an immigrant myself, not old enough to grow
 out my roots before they were ripped out 
and shipped out, arriving a leafless
 frame of what was expected of me. 
i learned and unlearned my mother tongue, 
twisted it in knots that were undone several years later,
when i returned to a home not my own. 
the people of my land, too, 
have grown into wilted, grey flowers. 
who am i if not peeling my skin, dying in the 
streets, giving birth to shells 
and broken homes who still quietly live 
with each other. 
an ensemble of several generations of 
ill-assorted traumas. 
shadows and vague noises in a house, 
not humans, not family. 
entering living rooms and staring at beings 
watching the news with eyes glazed over,
 hearing of the bombing of the land where their
 blood was supposed to spill, 
where my blood was supposed to spill, 
where my brains were supposed to cover the ground,
where my bones and ashes should be scattered. 
but here I lay, skinless, fragile bones, empty tears,
hearing of relatives for the first time, relatives i never met.
i am death defying, i am immortal, 
i am family-less, roots growing an inch beneath me, roots i cut to
remind myself of who i am, what i am, what i cannot be.
if not guilt ridden, then carrying the generational trauma,
an inherited arab gene, a back bending heaviness.
i carry it where i go, wherever i immigrate, 
like a lame pet, a reflection of what i was supposed to be
now i carry your trauma, your survivor's guilt, your bruises and
the stacks of dead bodies you hide in corners of your brain.
i feel the reality of my displacement when i see my face
on the news, a ghost of me, a doppleganger.
i will leave nothing in the soil that i live on, expect an indistinct indent,
perhaps a privileged, fortuitous carbon footprint, 
while they leave bomb prints and their bodies. 
and now that i am a mix of all the places i’ve ever lived,
a mouth that can speak several languages, 
and different dialects of my native language, 
accustomed to culture shock, and discrimination,
 i will never belong anywhere.

Our top 10 Javascript frameworks to use in 2022

Olivia Rhye
11 Jan 2022
5 min read

Survivor's Guilt

Maya Alinaizi

Born in 2006 in Saudi Arabia, and lives in Saudi Arabia.

Medium

Poetry

Year

2021

Description

A poem about survivor's guilt.

Instagram: mayaalinaizi

The New Sumerians Project

Sundus Abdul Hadi

Born in 1985 in Baghdad, and lives in Ontario, Canada.

Medium

Digital Composite Image & Photography

Year

2020

Description

Around 7,000 years ago, an ancient civilization known as the Sumerians settled along the banks of the Euphrates river, modern day Iraq. Their story gives clues as to our origin. Time was established as we still perceive it, and their advanced understanding of the cosmos and astronomy suggests that our ancestors had a certain access to the celestial sphere that has since been lost in translation.

THE NEW SUMERIANS is an evolving project that honours the ancestry we carry as displaced peoples. In collaboration with photographer Ahmad Nasereldein, I have created portraits that I have manipulated with the sculpted facial and body parts of Ancient Sumerians, starting with the 5,000 year old mask of “The Lady of Uruk”. This iteration begins with my origin story: my family— the microcosm. This process of transformation pays homage to our celestial ancestors, despite the passage of time and the circumstances that have propelled us away from our homeland.

These ancient sculptures carry our burdens and have witnessed our pillage. The New Sumerians is part of a larger exploration rooted in storytelling and world-building; a supernatural dimension where ancestors live amongst the unborn, and intergenerational burdens transform into wisdom.


ذنبُ الناجي

مايا العنيزي

ولدت عام ٢٠٠٦ في المملكة العربية السعودية و تعيش في السعودية.

الوسط

شِعر

السنة

٢٠٢١

الوصف

قصيدةٌ في شعور الناجي بالذنب.

The New Sumerians Project

Sundus Abdul Hadi

Born in 1985 in Baghdad, and lives in Ontario, Canada.

Medium

Digital Composite Image & Photography

Year

2020

Description

Around 7,000 years ago, an ancient civilization known as the Sumerians settled along the banks of the Euphrates river, modern day Iraq. Their story gives clues as to our origin. Time was established as we still perceive it, and their advanced understanding of the cosmos and astronomy suggests that our ancestors had a certain access to the celestial sphere that has since been lost in translation.

THE NEW SUMERIANS is an evolving project that honours the ancestry we carry as displaced peoples. In collaboration with photographer Ahmad Nasereldein, I have created portraits that I have manipulated with the sculpted facial and body parts of Ancient Sumerians, starting with the 5,000 year old mask of “The Lady of Uruk”. This iteration begins with my origin story: my family— the microcosm. This process of transformation pays homage to our celestial ancestors, despite the passage of time and the circumstances that have propelled us away from our homeland.

These ancient sculptures carry our burdens and have witnessed our pillage. The New Sumerians is part of a larger exploration rooted in storytelling and world-building; a supernatural dimension where ancestors live amongst the unborn, and intergenerational burdens transform into wisdom.


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